We Rise Again (extended mix)
30s preview
- Key
- 8A · A minor
- BPM
- 137
- Open Key
- 1m
- Energy
- 96/100
- Pop
- 11/100
- Length
- 3:49
- Released
- 2016
- Genre
- Trance
- Loudness
- -6.8 dB
- Dynamics
- 17.1 dB
- ISRC
- NLF711600477
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
We Rise Again (extended mix): driving up-tempo trance, A minor (8A), 137 BPM. It reads as dark and driving. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 17 dB). A 2016 production that still circulates in sets. Darker than 89% of Factor B's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- less groove-driven than 81% of Factor B's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is We Rise Again (extended mix) in?
We Rise Again (extended mix) by Factor B is in A minor, or 8A on the Camelot wheel.
What BPM is We Rise Again (extended mix)?
We Rise Again (extended mix) runs at 137 BPM, a driving up-tempo track.
What mixes well with We Rise Again (extended mix)?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is We Rise Again (extended mix) good for peak time?
With energy 96 out of 100 at 137 BPM, it works best as a peak-time weapon.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
![The Falling [Mix Cut] - Paul van Dyk Remix by Paul van Dyk cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/5e389a0e278d62dcf488.webp){kind=small}
How to mix it
In 8A at 137 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 129-145 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 96/100).
Similar tempo
Within ±3 BPM of 137 — beatmatch without a big tempo pull.
![Unfamiliar Truth (John O'Callaghan Radio Edit) [feat. Hysteria!] by John O'Callaghan cover art](https://i.scdn.co/image/ab67616d00001e02b00e3f27830d1c529bbf52e0){kind=small}
More trance
More from Factor B
Full profile![The Girl With Her Head In The Clouds [Ellie's Song] by Factor B cover art](https://i.scdn.co/image/ab67616d00001e02f21ae234f54653fe466f3ed7){kind=small}
![Wondering [Your Love Leaves Me] by Factor B cover art](https://i.scdn.co/image/ab67616d00001e02cf9118b5501bd41521a609df){kind=small}
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 137 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.