Crashing Over
- Key
- 5A · C minor
- BPM
- 138
- Open Key
- 10m
- Energy
- 92/100
- Pop
- 19/100
- Length
- 3:49
- Released
- 2019
- Genre
- Trance
- Loudness
- -7.0 dB
- ISRC
- UKRMQ1900083
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Crashing Over - Extended Mixversion5A · 138
Crashing Over runs 138 BPM in C minor (5A), a driving up-tempo trance record. The groove is loose and less beat-driven. It is vocal-led. Less groove-driven than 95% of Factor B's catalogue.
- Reach:
- better known than 89% of Factor B's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Crashing Over in?
Crashing Over by Factor B is in C minor, or 5A on the Camelot wheel.
What BPM is Crashing Over?
Crashing Over runs at 138 BPM, a driving up-tempo track.
What mixes well with Crashing Over?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Crashing Over good for peak time?
With energy 92 out of 100 at 138 BPM, it works best as a peak-time weapon.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 138 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 92/100).
Similar tempo
Within ±3 BPM of 138 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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Every insight on this page, for your own library.
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