We Are Not Afraid of 138 (radio edit)
30s preview
- BPM
- 138
- Open Key
- 4d
- Energy
- 93/100
- Pop
- 4/100
- Length
- 3:29
- Released
- 2013
- Genre
- Trance
- Loudness
- -3.7 dB
- Dynamics
- 10.0 dB
- ISRC
- NLF711308876
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 138 BPM in A major (11B), We Are Not Afraid of 138 (radio edit) is a driving up-tempo trance production. The groove is loose and less beat-driven. It is vocal-led. The master is loud and heavily compressed. A 2013 production that still circulates in sets. Less groove-driven than 99% of Andrew Rayel's catalogue.
- Brightness:
- darker than 97% of Andrew Rayel's catalogue
- Low end:
- more treble-tilted than 86% of Andrew Rayel's catalogue
- Tempo:
- faster than 81% of Andrew Rayel's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is We Are Not Afraid of 138 (radio edit) in?
We Are Not Afraid of 138 (radio edit) by Andrew Rayel is in A major, or 11B on the Camelot wheel.
What BPM is We Are Not Afraid of 138 (radio edit)?
We Are Not Afraid of 138 (radio edit) runs at 138 BPM, a driving up-tempo track.
What mixes well with We Are Not Afraid of 138 (radio edit)?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is We Are Not Afraid of 138 (radio edit) good for peak time?
With energy 93 out of 100 at 138 BPM, it works best as a peak-time weapon.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
![New Inner Way (ASOT 1215) [Trending Track] by Ferry Corsten cover art](https://i.scdn.co/image/ab67616d00001e027d6073953cf296ab1c10248a){kind=small}
![United (feat. Zafrir) [Extended Mix] by Armin van Buuren cover art](https://i.scdn.co/image/ab67616d00001e025c6c772fd888a57e9dcca389){kind=small}
How to mix it
In 11B at 138 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 93/100).
Similar tempo
Within ±3 BPM of 138 — beatmatch without a big tempo pull.
More trance
![Corsten's Countdown 457 Intro [CC457] by Ferry Corsten cover art](https://i.scdn.co/image/ab67616d00001e023b01ca9fc93366a32308ab58){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![Destination (A State of Trance 2024 Anthem) [ASOT 1250] by Armin van Buuren cover art](https://i.scdn.co/image/ab67616d00001e02d222a87293b616105a0f9a7a){kind=small}
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