All The Dreams We Shared - Original Mix
30s preview
- BPM
- 138
- Open Key
- 9d
- Energy
- 93/100
- Pop
- 7/100
- Length
- 3:30
- Released
- 2020
- Album
- All The Dreams We Shared
- Genre
- Trance
- Loudness
- -6.9 dB
- Dynamics
- 13.2 dB
- ISRC
- DEA312007257
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- All The Dreams We Shared (Karl8 x Andrea Monta Rework)remix5B · 124
- All The Dreams We Shared (Original Mix)original4B · 138
A driving up-tempo trance cut, All The Dreams We Shared - Original Mix sits in A♭ major (4B) at 138 BPM. The master keeps unusual dynamic range for club music (crest 13 dB). Darker than 87% of Talla 2XLC's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- less groove-driven than 79% of Talla 2XLC's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is All The Dreams We Shared - Original Mix in?
All The Dreams We Shared - Original Mix by Talla 2XLC is in A♭ major, or 4B on the Camelot wheel.
What BPM is All The Dreams We Shared - Original Mix?
All The Dreams We Shared - Original Mix runs at 138 BPM, a driving up-tempo track.
What mixes well with All The Dreams We Shared - Original Mix?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is All The Dreams We Shared - Original Mix good for peak time?
With energy 93 out of 100 at 138 BPM, it works best as a peak-time weapon.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
![Beat As One [CC453] (Richard Durand Reloaded Mix) by Ferry Corsten cover art](https://i.scdn.co/image/ab67616d00001e025545b90a1f4d36f19bab0063){kind=small}
How to mix it
In 4B at 138 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 93/100).
Similar tempo
Within ±3 BPM of 138 — beatmatch without a big tempo pull.
More trance
![Be In the Moment (ASOT 850 Anthem) (Allen Watts Remix [Mix Cut]) by Armin van Buuren cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/158630b860358de2dbf9.webp){kind=small}
More from Talla 2XLC
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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