I've Been Gone So Long (Original Mix)
30s preview
- BPM
- 138
- Open Key
- 4m
- Energy
- 94/100
- Pop
- 21/100
- Length
- 4:02
- Released
- 2021
- Album
- I've Been Gone So Long
- Genre
- Trance
- Loudness
- -5.3 dB
- Dynamics
- 11.4 dB
- ISRC
- DEA312107681
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- I've Been Gone So Long (Reorder Original Mix)original11A · 134
- I've Been Gone So Long (Extended Mix)version11A · 138
I've Been Gone So Long (Original Mix) is a driving up-tempo trance track in F♯ minor (11A) at 138 BPM. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). Better known than 94% of Talla 2XLC's catalogue. In a set it works best as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is I've Been Gone So Long (Original Mix) in?
I've Been Gone So Long (Original Mix) by Talla 2XLC is in F♯ minor, or 11A on the Camelot wheel.
What BPM is I've Been Gone So Long (Original Mix)?
I've Been Gone So Long (Original Mix) runs at 138 BPM, a driving up-tempo track.
What mixes well with I've Been Gone So Long (Original Mix)?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is I've Been Gone So Long (Original Mix) good for peak time?
With energy 94 out of 100 at 138 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 138 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 138 — beatmatch without a big tempo pull.
More trance
![United (feat. Zafrir) [Extended Mix] by Armin van Buuren cover art](https://i.scdn.co/image/ab67616d00001e025c6c772fd888a57e9dcca389){kind=small}
More from Talla 2XLC
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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