Till We Meet Again
30s preview
- BPM
- 138
- Open Key
- 4d
- Energy
- 94/100
- Pop
- 2/100
- Length
- 3:44
- Released
- 2020
- Genre
- Trance
- Loudness
- -9.1 dB
- Dynamics
- 9.9 dB
- ISRC
- NLF712006366
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Till We Meet Again - Extended Mixversion11B · 138
Till We Meet Again: driving up-tempo trance, A major (11B), 138 BPM. Tonally it lands punchy, neutral in mood. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Less groove-driven than 94% of Giuseppe Ottaviani's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 91% of Giuseppe Ottaviani's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Till We Meet Again in?
Till We Meet Again by Giuseppe Ottaviani is in A major, or 11B on the Camelot wheel.
What BPM is Till We Meet Again?
Till We Meet Again runs at 138 BPM, a driving up-tempo track.
What mixes well with Till We Meet Again?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Till We Meet Again good for peak time?
With energy 94 out of 100 at 138 BPM, it works best as a peak-time weapon.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
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How to mix it
In 11B at 138 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 138 — beatmatch without a big tempo pull.
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Full profile
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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