Adrenaline (James Dymond remix)
30s preview
- BPM
- 138
- Open Key
- 7d
- Energy
- 95/100
- Pop
- 0/100
- Length
- 3:31
- Released
- 2020
- Genre
- Trance
- Loudness
- -8.3 dB
- Dynamics
- 14.0 dB
- ISRC
- NLD682000037
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Adrenaline (James Dymond remix): driving up-tempo trance, F♯ major (2B), 138 BPM. The feel is dark and driving. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 14 dB). More underground than 99% of Bryan Kearney's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- less groove-driven than 96% of Bryan Kearney's catalogue
- Low end:
- more treble-tilted than 84% of Bryan Kearney's catalogue
- Tempo:
- slower than 81% of Bryan Kearney's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Adrenaline (James Dymond remix) in?
Adrenaline (James Dymond remix) by Bryan Kearney is in F♯ major, or 2B on the Camelot wheel.
What BPM is Adrenaline (James Dymond remix)?
Adrenaline (James Dymond remix) runs at 138 BPM, a driving up-tempo track.
What mixes well with Adrenaline (James Dymond remix)?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Adrenaline (James Dymond remix) good for peak time?
With energy 95 out of 100 at 138 BPM, it works best as a peak-time weapon.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 138 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 95/100).
Similar tempo
Within ±3 BPM of 138 — beatmatch without a big tempo pull.
More trance
More from Bryan Kearney
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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