Talking Waves by Daniel Kandi cover art

Talking Waves

Daniel Kandi

30s preview

Key
1B · B major
BPM
138
Open Key
6d
Energy
95/100
Pop
9/100
Length
7:15
Released
2021
Genre
Trance
Loudness
-5.9 dB
Dynamics
19.0 dB
ISRC
GBKQU2118160

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Talking Waves: driving up-tempo trance, B major (1B), 138 BPM. The feel is dark and driving. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 19 dB). Darker than 83% of Daniel Kandi's catalogue. For programming, treat it as a peak-time weapon.

Low end:
more treble-tilted than 82% of Daniel Kandi's catalogue
Reach:
better known than 81% of Daniel Kandi's catalogue
Groove:
groovier than 80% of Daniel Kandi's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy95
Mood12Dark
Groove58
Acoustic0
Instrumental79
Live12
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
30%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
25%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is Talking Waves in?

Talking Waves by Daniel Kandi is in B major, or 1B on the Camelot wheel.

What BPM is Talking Waves?

Talking Waves runs at 138 BPM, a driving up-tempo track.

What mixes well with Talking Waves?

From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.

Is Talking Waves good for peak time?

With energy 95 out of 100 at 138 BPM, it works best as a peak-time weapon.

Mixes harmonically

1B12B · 2B · 1A

From 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.

#TrackKey·BPM

Every move from 1B

2BSimple Mix Upper
12BSimple Mix Downer
1ATonal Shift·
2ADiagonal Mix Upper
12ADiagonal Mix Downer
4ACompatible Tone·
3BHigh Energy Boost▲▲▲
11BHigh Energy Drain▼▼▼
4BParallel Key Upper▲▲
10BParallel Key Downer▼▼
8BTritone Jump▲▲
5BRelated Keyrisky

How to mix it

In 1B at 138 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.

Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 95/100).

Similar tempo

Within ±3 BPM of 138 — beatmatch without a big tempo pull.

More trance

More from Daniel Kandi

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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