Mount Everest - Factor B's Back to Base Camp Remix
30s preview
- BPM
- 138
- Open Key
- 4d
- Energy
- 96/100
- Pop
- 5/100
- Length
- 3:43
- Released
- 2019
- Album
- Mount Everest (Factor B's Back to Base Camp Remix)
- Genre
- Trance
- Loudness
- -8.4 dB
- Dynamics
- 15.2 dB
- ISRC
- NLD681901814
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Mount Everest - Factor B's Back to Base Camp Remix is a driving up-tempo trance track in A major (11B) at 138 BPM. Tonally it lands dark and driving. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 15 dB). Darker than 90% of Factor B's catalogue. For programming, treat it as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 25%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Mount Everest - Factor B's Back to Base Camp Remix in?
Mount Everest - Factor B's Back to Base Camp Remix by Factor B is in A major, or 11B on the Camelot wheel.
What BPM is Mount Everest - Factor B's Back to Base Camp Remix?
Mount Everest - Factor B's Back to Base Camp Remix runs at 138 BPM, a driving up-tempo track.
What mixes well with Mount Everest - Factor B's Back to Base Camp Remix?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Mount Everest - Factor B's Back to Base Camp Remix good for peak time?
With energy 96 out of 100 at 138 BPM, it works best as a peak-time weapon.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 138 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 96/100).
Similar tempo
Within ±3 BPM of 138 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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