Crashing Over - Extended Mix
30s preview
- Key
- 5A · C minor
- BPM
- 138
- Open Key
- 10m
- Energy
- 96/100
- Pop
- 19/100
- Length
- 9:23
- Released
- 2019
- Album
- Crashing Over
- Genre
- Trance
- Loudness
- -7.4 dB
- Dynamics
- 12.0 dB
- ISRC
- UKRMQ1900082
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Crashing Overoriginal5A · 138
Against the original (5A at 138 BPM), this version holds the same tempo in the same key.
A driving up-tempo trance cut, Crashing Over - Extended Mix sits in C minor (5A) at 138 BPM. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). Better known than 89% of Factor B's catalogue.
- Low end:
- more bass-heavy than 82% of Factor B's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Crashing Over - Extended Mix in?
Crashing Over - Extended Mix by Factor B is in C minor, or 5A on the Camelot wheel.
What BPM is Crashing Over - Extended Mix?
Crashing Over - Extended Mix runs at 138 BPM, a driving up-tempo track.
What mixes well with Crashing Over - Extended Mix?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Crashing Over - Extended Mix good for peak time?
With energy 96 out of 100 at 138 BPM, it works best as a peak-time weapon.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 138 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 96/100).
Similar tempo
Within ±3 BPM of 138 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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