![The Girl With Her Head In The Clouds [Ellie's Song] by Factor B cover art](https://i.scdn.co/image/ab67616d00001e02f21ae234f54653fe466f3ed7)
The Girl With Her Head In The Clouds [Ellie's Song]
30s preview
- BPM
- 135
- Open Key
- 3d
- Energy
- 94/100
- Pop
- 41/100
- Length
- 3:56
- Released
- 2024
- Genre
- Trance
- Loudness
- -4.7 dB
- Dynamics
- 17.3 dB
- ISRC
- NLD682402884
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
The Girl With Her Head In The Clouds [Ellie's Song]: driving up-tempo trance, D major (10B), 135 BPM. It reads as punchy, neutral in mood. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 17 dB). Better known than 99% of Factor B's catalogue. For programming, treat it as a peak-time weapon.
- Low end:
- more treble-tilted than 95% of Factor B's catalogue
- Tempo:
- slower than 79% of Factor B's catalogue
- Brightness:
- brighter than 79% of Factor B's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 25%
- Low
- 30-130 Hz
- 35%
- Low-mid
- 130-570 Hz
- 28%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is The Girl With Her Head In The Clouds [Ellie's Song] in?
The Girl With Her Head In The Clouds [Ellie's Song] by Factor B is in D major, or 10B on the Camelot wheel.
What BPM is The Girl With Her Head In The Clouds [Ellie's Song]?
The Girl With Her Head In The Clouds [Ellie's Song] runs at 135 BPM, a driving up-tempo track.
What mixes well with The Girl With Her Head In The Clouds [Ellie's Song]?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is The Girl With Her Head In The Clouds [Ellie's Song] good for peak time?
With energy 94 out of 100 at 135 BPM, it works best as a peak-time weapon.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
![Beautiful [CC453] (MaRLo Remix) by Ferry Corsten cover art](https://i.scdn.co/image/ab67616d00001e025545b90a1f4d36f19bab0063){kind=small}
How to mix it
In 10B at 135 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 135 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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