Back to Paradise [Craig Connelly Remix] by Ferry Corsten cover art

Back to Paradise [Craig Connelly Remix]

Ferry Corsten

30s preview

Key
11A · F♯ minor
BPM
135
Open Key
4m
Energy
95/100
Pop
0/100
Length
6:29
Released
2015
Genre
Trance
Loudness
-6.4 dB
Dynamics
10.4 dB
ISRC
NLQ881600027

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (11A at 132 BPM), this version runs 3 BPM faster in the same key.

A driving up-tempo trance cut, Back to Paradise [Craig Connelly Remix] sits in F♯ minor (11A) at 135 BPM. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2015 production that still circulates in sets. More underground than 99% of Ferry Corsten's catalogue. In a set it works best as a peak-time weapon.

Energy:
hotter than 82% of Ferry Corsten's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy95
Mood27Dark
Groove62
Acoustic0
Instrumental4
Live9
Speech9

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is Back to Paradise [Craig Connelly Remix] in?

Back to Paradise [Craig Connelly Remix] by Ferry Corsten is in F♯ minor, or 11A on the Camelot wheel.

What BPM is Back to Paradise [Craig Connelly Remix]?

Back to Paradise [Craig Connelly Remix] runs at 135 BPM, a driving up-tempo track.

What mixes well with Back to Paradise [Craig Connelly Remix]?

From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.

Is Back to Paradise [Craig Connelly Remix] good for peak time?

With energy 95 out of 100 at 135 BPM, it works best as a peak-time weapon.

Mixes harmonically

11A10A · 12A · 11B

From 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.

#TrackKey·BPM

Every move from 11A

12ASimple Mix Upper
10ASimple Mix Downer
11BTonal Shift·
12BDiagonal Mix Upper
10BDiagonal Mix Downer
8BCompatible Tone·
1AHigh Energy Boost▲▲▲
9AHigh Energy Drain▼▼▼
2AParallel Key Upper▲▲
8AParallel Key Downer▼▼
6ATritone Jump▲▲
3ARelated Keyrisky

How to mix it

In 11A at 135 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.

Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 95/100).

Similar tempo

Within ±3 BPM of 135 — beatmatch without a big tempo pull.

More trance

More from Ferry Corsten

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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