![Back to Paradise [Craig Connelly Remix] by Ferry Corsten cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/65612bcfce00b2fac684.webp)
Back to Paradise [Craig Connelly Remix]
30s preview
- BPM
- 135
- Open Key
- 4m
- Energy
- 95/100
- Pop
- 0/100
- Length
- 6:29
- Released
- 2015
- Genre
- Trance
- Loudness
- -6.4 dB
- Dynamics
- 10.4 dB
- ISRC
- NLQ881600027
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Back to Paradise (Ferry Fix)original11A · 132
- Back to Paradise [CC451] (Craig Connelly Remix)remix10B · 135
Against the original (11A at 132 BPM), this version runs 3 BPM faster in the same key.
A driving up-tempo trance cut, Back to Paradise [Craig Connelly Remix] sits in F♯ minor (11A) at 135 BPM. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2015 production that still circulates in sets. More underground than 99% of Ferry Corsten's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- hotter than 82% of Ferry Corsten's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Back to Paradise [Craig Connelly Remix] in?
Back to Paradise [Craig Connelly Remix] by Ferry Corsten is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Back to Paradise [Craig Connelly Remix]?
Back to Paradise [Craig Connelly Remix] runs at 135 BPM, a driving up-tempo track.
What mixes well with Back to Paradise [Craig Connelly Remix]?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Back to Paradise [Craig Connelly Remix] good for peak time?
With energy 95 out of 100 at 135 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 135 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 95/100).
Similar tempo
Within ±3 BPM of 135 — beatmatch without a big tempo pull.
More trance
More from Ferry Corsten
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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