Holding On - Ferry's Flashover Mix
- BPM
- 135
- Open Key
- 4d
- Energy
- 94/100
- Pop
- 0/100
- Length
- 6:40
- Released
- 2005
- Album
- Holding On
- Genre
- Trance
- Loudness
- -8.1 dB
- ISRC
- NLB770500010
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Holding Onoriginal9B · 87
- Holding On - Above & Beyond Remixremix9A · 136
- Holding On - Luke Chable's Big Room Mixoriginal9A · 131
- Holding On - Sassot & David Con G Remixremix9B · 136
A driving up-tempo trance cut, Holding On - Ferry's Flashover Mix sits in A major (11B) at 135 BPM. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. A 2005 production that still circulates in sets. More underground than 99% of Ferry Corsten's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- hotter than 80% of Ferry Corsten's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Holding On - Ferry's Flashover Mix in?
Holding On - Ferry's Flashover Mix by Ferry Corsten is in A major, or 11B on the Camelot wheel.
What BPM is Holding On - Ferry's Flashover Mix?
Holding On - Ferry's Flashover Mix runs at 135 BPM, a driving up-tempo track.
What mixes well with Holding On - Ferry's Flashover Mix?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Holding On - Ferry's Flashover Mix good for peak time?
With energy 94 out of 100 at 135 BPM, it works best as a peak-time weapon.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 135 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 135 — beatmatch without a big tempo pull.
More trance
More from Ferry Corsten
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.