Holding On - Above & Beyond Remix
- Key
- 9A · E minor
- BPM
- 136
- Open Key
- 2m
- Energy
- 92/100
- Pop
- 0/100
- Length
- 7:48
- Released
- 2005
- Album
- Holding On
- Genre
- Trance
- Loudness
- -8.7 dB
- ISRC
- NLQ880500006
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Holding Onoriginal9B · 87
- Holding On - Ferry's Flashover Mixoriginal11B · 135
- Holding On - Luke Chable's Big Room Mixoriginal9A · 131
- Holding On - Sassot & David Con G Remixremix9B · 136
Against the original (9B at 87 BPM), this version runs 49 BPM faster and moves the key from 9B to 9A.
At 136 BPM in E minor (9A), Holding On - Above & Beyond Remix is a driving up-tempo trance production. A 2005 production that still circulates in sets. More underground than 99% of Ferry Corsten's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- faster than 81% of Ferry Corsten's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Holding On - Above & Beyond Remix in?
Holding On - Above & Beyond Remix by Ferry Corsten is in E minor, or 9A on the Camelot wheel.
What BPM is Holding On - Above & Beyond Remix?
Holding On - Above & Beyond Remix runs at 136 BPM, a driving up-tempo track.
What mixes well with Holding On - Above & Beyond Remix?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Holding On - Above & Beyond Remix good for peak time?
With energy 92 out of 100 at 136 BPM, it works best as a peak-time weapon.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
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How to mix it
In 9A at 136 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 128-144 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 92/100).
Similar tempo
Within ±3 BPM of 136 — beatmatch without a big tempo pull.
More trance
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 136 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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