Not the Same (Carlo Resoort remix)
30s preview
- Key
- 8A · A minor
- BPM
- 136
- Open Key
- 1m
- Energy
- 92/100
- Pop
- 0/100
- Length
- 3:12
- Released
- 2011
- Genre
- Trance
- Loudness
- -7.1 dB
- Dynamics
- 12.5 dB
- ISRC
- NLF711100846
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Not the Same (Carlo Resoort remix): driving up-tempo trance, A minor (8A), 136 BPM. It reads as dark and driving. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2011 production that still circulates in sets. More underground than 99% of Markus Schulz's catalogue. For programming, treat it as a peak-time weapon.
- Tempo:
- faster than 93% of Markus Schulz's catalogue
- Brightness:
- darker than 90% of Markus Schulz's catalogue
- Energy:
- hotter than 76% of Markus Schulz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Not the Same (Carlo Resoort remix) in?
Not the Same (Carlo Resoort remix) by Markus Schulz is in A minor, or 8A on the Camelot wheel.
What BPM is Not the Same (Carlo Resoort remix)?
Not the Same (Carlo Resoort remix) runs at 136 BPM, a driving up-tempo track.
What mixes well with Not the Same (Carlo Resoort remix)?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Not the Same (Carlo Resoort remix) good for peak time?
With energy 92 out of 100 at 136 BPM, it works best as a peak-time weapon.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 136 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 128-144 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 92/100).
Similar tempo
Within ±3 BPM of 136 — beatmatch without a big tempo pull.
![Circus [Mix Cut] - Giuseppe Ottaviani Remix by Giuseppe Ottaviani cover art](https://i.scdn.co/image/ab67616d00001e02768402e504d7c031c244a234){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 136 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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