Holding On - Luke Chable's Big Room Mix
30s preview
- Key
- 9A · E minor
- BPM
- 131
- Open Key
- 2m
- Energy
- 90/100
- Pop
- 0/100
- Length
- 8:59
- Released
- 2005
- Album
- Holding On
- Genre
- Trance
- Loudness
- -5.6 dB
- Dynamics
- 10.8 dB
- ISRC
- NLB770500005
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Holding Onoriginal9B · 87
- Holding On - Above & Beyond Remixremix9A · 136
- Holding On - Ferry's Flashover Mixoriginal11B · 135
- Holding On - Sassot & David Con G Remixremix9B · 136
A peak-time tempo trance cut, Holding On - Luke Chable's Big Room Mix sits in E minor (9A) at 131 BPM. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. A 2005 production that still circulates in sets. More underground than 99% of Ferry Corsten's catalogue. For programming, treat it as a peak-time weapon.
- Groove:
- groovier than 98% of Ferry Corsten's catalogue
- Brightness:
- brighter than 93% of Ferry Corsten's catalogue
- Low end:
- more treble-tilted than 82% of Ferry Corsten's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Holding On - Luke Chable's Big Room Mix in?
Holding On - Luke Chable's Big Room Mix by Ferry Corsten is in E minor, or 9A on the Camelot wheel.
What BPM is Holding On - Luke Chable's Big Room Mix?
Holding On - Luke Chable's Big Room Mix runs at 131 BPM, a peak-time tempo track.
What mixes well with Holding On - Luke Chable's Big Room Mix?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Holding On - Luke Chable's Big Room Mix good for peak time?
With energy 90 out of 100 at 131 BPM, it works best as a peak-time weapon.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
![Barracas [Mix Cut] - Original Mix by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02d1e10dfa800b751b45614731){kind=small}
![Fly To Colors [Mix Cut] - Carl B Remix by Markus Schulz cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/796183bfc40142a0fcc4.webp){kind=small}
![Corsten's Countdown 469 Intro [CC469] by Ferry Corsten cover art](https://i.scdn.co/image/ab67616d00001e02b86b28e9c9cb97d08a9e71db){kind=small}
How to mix it
In 9A at 131 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 123-139 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 90/100).
Similar tempo
Within ±3 BPM of 131 — beatmatch without a big tempo pull.
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More trance
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![Bombay [Mumbai] (Radio Edit) by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02ccc86b89fb817c3e0516d764){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 131 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.