![Barracas [Mix Cut] - Original Mix by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02d1e10dfa800b751b45614731)
Barracas [Mix Cut] - Original Mix
30s preview
- Key
- 8A · A minor
- BPM
- 131
- Open Key
- 1m
- Energy
- 86/100
- Pop
- 1/100
- Length
- 3:26
- Released
- 2013
- Album
- Buenos Aires '13 (Mixed Version)
- Genre
- Trance
- Loudness
- -5.5 dB
- Dynamics
- 13.1 dB
- ISRC
- NLF711310433
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Barracas [Mix Cut] - Original Mix: peak-time tempo trance, A minor (8A), 131 BPM. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2013 production that still circulates in sets. Brighter than 90% of Markus Schulz's catalogue.
- Groove:
- groovier than 79% of Markus Schulz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Barracas [Mix Cut] - Original Mix in?
Barracas [Mix Cut] - Original Mix by Markus Schulz is in A minor, or 8A on the Camelot wheel.
What BPM is Barracas [Mix Cut] - Original Mix?
Barracas [Mix Cut] - Original Mix runs at 131 BPM, a peak-time tempo track.
What mixes well with Barracas [Mix Cut] - Original Mix?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Barracas [Mix Cut] - Original Mix good for peak time?
With energy 86 out of 100 at 131 BPM, it works best as a peak-time weapon.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 131 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 123-139 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 86/100).
Similar tempo
Within ±3 BPM of 131 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 131 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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