![I Don't Deserve You [Mix Cut] - Seven Lions, Maor Levi & Bluestone, Original Mashup by Paul van Dyk cover art](https://i.scdn.co/image/ab67616d00001e02f40713796cd6e41c52a7e994)
I Don't Deserve You [Mix Cut] - Seven Lions, Maor Levi & Bluestone, Original Mashup
- BPM
- 131
- Open Key
- 6m
- Energy
- 85/100
- Pop
- 0/100
- Length
- 6:21
- Released
- 2012
- Album
- VONYC Sessions 2012 (Mixed Version)
- Genre
- Trance
- Loudness
- -6.9 dB
- ISRC
- NLF711207081
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- I Don't Deserve You (Escape mix)original1B · 130
I Don't Deserve You [Mix Cut] - Seven Lions, Maor Levi & Bluestone, Original Mashup: peak-time tempo trance, A♭ minor (1A), 131 BPM. Tonally it lands dark and driving. It is vocal-led. A 2012 production that still circulates in sets. More underground than 99% of Paul van Dyk's catalogue. In a set it works best as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is I Don't Deserve You [Mix Cut] - Seven Lions, Maor Levi & Bluestone, Original Mashup in?
I Don't Deserve You [Mix Cut] - Seven Lions, Maor Levi & Bluestone, Original Mashup by Paul van Dyk is in A♭ minor, or 1A on the Camelot wheel.
What BPM is I Don't Deserve You [Mix Cut] - Seven Lions, Maor Levi & Bluestone, Original Mashup?
I Don't Deserve You [Mix Cut] - Seven Lions, Maor Levi & Bluestone, Original Mashup runs at 131 BPM, a peak-time tempo track.
What mixes well with I Don't Deserve You [Mix Cut] - Seven Lions, Maor Levi & Bluestone, Original Mashup?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is I Don't Deserve You [Mix Cut] - Seven Lions, Maor Levi & Bluestone, Original Mashup good for peak time?
With energy 85 out of 100 at 131 BPM, it works best as a peak-time weapon.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
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How to mix it
In 1A at 131 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 123-139 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 85/100).
Similar tempo
Within ±3 BPM of 131 — beatmatch without a big tempo pull.
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More trance
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Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 131 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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