A State of Mind - Mike Saint-Jules Interstellar Mix
- Key
- 4A · F minor
- BPM
- 131
- Open Key
- 9m
- Energy
- 90/100
- Pop
- 0/100
- Length
- 3:49
- Released
- 2017
- Album
- Solarstone presents Pure Trance 6
- Genre
- Trance
- Loudness
- -6.0 dB
- ISRC
- NLE711700344
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- A State of Mind - Alternative Extended Versionversion4A · 134
- A State of Mind - Mike Saint-Jules Extended Interstellar Mixversion3B · 131
- A State of Mindoriginal4A · 130
- A State of Mind - Extended Mixversion4A · 130
- A State of Mind - Pure Mixoriginal11A · 138
- A State of Mind (Mix Cut) - Mike St. Jules Interstellar Mixoriginal4A · 134
At 131 BPM in F minor (4A), A State of Mind - Mike Saint-Jules Interstellar Mix is a peak-time tempo trance production. It is vocal-led. A 2017 production that still circulates in sets. More underground than 99% of Solarstone's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- darker than 87% of Solarstone's catalogue
- Groove:
- groovier than 78% of Solarstone's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is A State of Mind - Mike Saint-Jules Interstellar Mix in?
A State of Mind - Mike Saint-Jules Interstellar Mix by Solarstone is in F minor, or 4A on the Camelot wheel.
What BPM is A State of Mind - Mike Saint-Jules Interstellar Mix?
A State of Mind - Mike Saint-Jules Interstellar Mix runs at 131 BPM, a peak-time tempo track.
What mixes well with A State of Mind - Mike Saint-Jules Interstellar Mix?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is A State of Mind - Mike Saint-Jules Interstellar Mix good for peak time?
With energy 90 out of 100 at 131 BPM, it works best as a peak-time weapon.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 131 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 123-139 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 90/100).
Similar tempo
Within ±3 BPM of 131 — beatmatch without a big tempo pull.
More trance
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Beyond strict key and genre matches: tracks that still sit in beatmatch range of 131 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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