A State of Mind - Mike Saint-Jules Extended Interstellar Mix
- BPM
- 131
- Open Key
- 8d
- Energy
- 82/100
- Pop
- 0/100
- Length
- 7:44
- Released
- 2018
- Album
- Solarstone presents Pure Trance 6 Extended
- Genre
- Trance
- Loudness
- -7.6 dB
- ISRC
- NLE711800109
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- A State of Mind - Alternative Extended Versionversion4A · 134
- A State of Mindoriginal4A · 130
- A State of Mind - Extended Mixversion4A · 130
- A State of Mind - Pure Mixoriginal11A · 138
- A State of Mind - Mike Saint-Jules Interstellar Mixoriginal4A · 131
- A State of Mind (Mix Cut) - Mike St. Jules Interstellar Mixoriginal4A · 134
Against the original (4A at 130 BPM), this version runs 1 BPM faster and moves the key from 4A to 3B.
A peak-time tempo trance cut, A State of Mind - Mike Saint-Jules Extended Interstellar Mix sits in D♭ major (3B) at 131 BPM. A 2018 production that still circulates in sets. More underground than 99% of Solarstone's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- groovier than 91% of Solarstone's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is A State of Mind - Mike Saint-Jules Extended Interstellar Mix in?
A State of Mind - Mike Saint-Jules Extended Interstellar Mix by Solarstone is in D♭ major, or 3B on the Camelot wheel.
What BPM is A State of Mind - Mike Saint-Jules Extended Interstellar Mix?
A State of Mind - Mike Saint-Jules Extended Interstellar Mix runs at 131 BPM, a peak-time tempo track.
What mixes well with A State of Mind - Mike Saint-Jules Extended Interstellar Mix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is A State of Mind - Mike Saint-Jules Extended Interstellar Mix good for peak time?
With energy 82 out of 100 at 131 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
![Velvet Morning [Mix Cut] - Super8 & Tab Remix by Kyau & Albert cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/412b33566c0006aa6846.webp){kind=small}
How to mix it
In 3B at 131 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 123-139 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 82/100).
Similar tempo
Within ±3 BPM of 131 — beatmatch without a big tempo pull.
![I Don't Deserve You [Mix Cut] - Seven Lions, Maor Levi & Bluestone, Original Mashup by Paul van Dyk cover art](https://i.scdn.co/image/ab67616d00001e02f40713796cd6e41c52a7e994){kind=small}
![Barracas [Mix Cut] - Original Mix by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02d1e10dfa800b751b45614731){kind=small}
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Beyond strict key and genre matches: tracks that still sit in beatmatch range of 131 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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