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Take Me Away (Into The Night) (Markus Schulz Remix) by Markus Schulz cover art

Take Me Away (Into The Night) (Markus Schulz Remix)

Markus Schulz

30s preview

Key
4B · A♭ major
BPM
131
Open Key
9d
Energy
89/100
Pop
6/100
Length
9:27
Released
2003
Album
Take Me Away (Into The Night) [Markus Schulz Remix]
Genre
Trance
Loudness
-15.6 dB
Dynamics
10.6 dB
ISRC
AUMEV2321658

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 131 BPM in A♭ major (4B), Take Me Away (Into The Night) (Markus Schulz Remix) is a peak-time tempo trance production. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2003 production that still circulates in sets. More bass-heavy than 98% of Markus Schulz's catalogue.

Groove:
groovier than 95% of Markus Schulz's catalogue
Brightness:
brighter than 85% of Markus Schulz's catalogue
Reach:
better known than 76% of Markus Schulz's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy89
Mood36Balanced
Groove73
Acoustic1
Instrumental73
Live58
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
43%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
16%
Upper-mid
570 Hz-2.5 kHz
10%
High
2.5-11 kHz

FAQ

What key is Take Me Away (Into The Night) (Markus Schulz Remix) in?

Take Me Away (Into The Night) (Markus Schulz Remix) by Markus Schulz is in A♭ major, or 4B on the Camelot wheel.

What BPM is Take Me Away (Into The Night) (Markus Schulz Remix)?

Take Me Away (Into The Night) (Markus Schulz Remix) runs at 131 BPM, a peak-time tempo track.

What mixes well with Take Me Away (Into The Night) (Markus Schulz Remix)?

From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.

Is Take Me Away (Into The Night) (Markus Schulz Remix) good for peak time?

With energy 89 out of 100 at 131 BPM, it works best as a peak-time weapon.

Mixes harmonically

4B → 3B · 5B · 4A

From 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.

#TrackKey·BPM

Every move from 4B

5BSimple Mix Upper▲
3BSimple Mix Downer▼
4ATonal Shift·
5ADiagonal Mix Upper▲
3ADiagonal Mix Downer▼
7ACompatible Tone·
6BHigh Energy Boost▲▲▲
2BHigh Energy Drain▼▼▼
7BParallel Key Upper▲▲
1BParallel Key Downer▼▼
11BTritone Jump▲▲
8BRelated Keyrisky

How to mix it

In 4B at 131 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.

Pitch range at ±6%: 123-139 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 89/100).

Similar tempo

Within ±3 BPM of 131 — beatmatch without a big tempo pull.

#TrackKey·BPM

More trance

#TrackKey·BPM

More from Markus Schulz

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 131 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM
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