![Story Of Life [Tenishia & Ruben de Ronde] - Julian Wess & Mike Carey Vocal Mix by Ruben de Ronde cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/8cffed4c5f92d6dbc2b2.webp)
Story Of Life [Tenishia & Ruben de Ronde] - Julian Wess & Mike Carey Vocal Mix
- Key
- 8A · A minor
- BPM
- 130
- Open Key
- 1m
- Energy
- 89/100
- Pop
- 0/100
- Length
- 7:25
- Released
- 2011
- Album
- Story of Life
- Genre
- Progressive Trance
- Loudness
- -6.4 dB
- ISRC
- NLF711101310
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Story Of Life - Instrumental Mixoriginal9A · 130
- Story Of Life - Julian Wess & Mike Carey Dub Mixversion8A · 130
- Story Of Life - Michael Tsukerman Instrumental Mixoriginal12B · 128
- Story Of Life - Michael Tsukerman Remixremix11B · 128
- Story Of Life - Original Mixoriginal9A · 130
Story Of Life [Tenishia & Ruben de Ronde] - Julian Wess & Mike Carey Vocal Mix runs 130 BPM in A minor (8A), a peak-time tempo progressive trance record. The mix is almost entirely instrumental. A 2011 production that still circulates in sets. More underground than 99% of Ruben de Ronde's catalogue.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Story Of Life [Tenishia & Ruben de Ronde] - Julian Wess & Mike Carey Vocal Mix in?
Story Of Life [Tenishia & Ruben de Ronde] - Julian Wess & Mike Carey Vocal Mix by Ruben de Ronde is in A minor, or 8A on the Camelot wheel.
What BPM is Story Of Life [Tenishia & Ruben de Ronde] - Julian Wess & Mike Carey Vocal Mix?
Story Of Life [Tenishia & Ruben de Ronde] - Julian Wess & Mike Carey Vocal Mix runs at 130 BPM, a peak-time tempo track.
What mixes well with Story Of Life [Tenishia & Ruben de Ronde] - Julian Wess & Mike Carey Vocal Mix?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Story Of Life [Tenishia & Ruben de Ronde] - Julian Wess & Mike Carey Vocal Mix good for peak time?
With energy 89 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 130 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 89/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More progressive trance
![Angels (ASOT 1218) [Future Favorite] - VIP Mix by Armin van Buuren cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/7dc1f77e959f746557c7.webp){kind=small}
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Full profile
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Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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Every insight on this page, for your own library.
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