Eternal Sequence by Super8 & Tab cover art

Eternal Sequence

Super8 & Tab

30s preview

Key
12B · E major
BPM
130
Open Key
5d
Energy
89/100
Pop
1/100
Length
6:31
Released
2010
Genre
Trance
Loudness
-4.6 dB
Dynamics
8.8 dB
ISRC
GBEWA2105066

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 130 BPM in E major (12B), Eternal Sequence is a peak-time tempo trance production. Vocals read as instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. A 2010 production that still circulates in sets. Groovier than 95% of Super8 & Tab's catalogue.

Reach:
more underground than 79% of Super8 & Tab's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy89
Mood27Dark
Groove74
Acoustic3
Instrumental42
Live8
Speech10
darkrelaxedinstrumental

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
33%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Eternal Sequence in?

Eternal Sequence by Super8 & Tab is in E major, or 12B on the Camelot wheel.

What BPM is Eternal Sequence?

Eternal Sequence runs at 130 BPM, a peak-time tempo track.

What mixes well with Eternal Sequence?

From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.

Is Eternal Sequence good for peak time?

With energy 89 out of 100 at 130 BPM, it works best as a peak-time weapon.

Mixes harmonically

12B11B · 1B · 12A

From 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.

#TrackKey·BPM

Every move from 12B

1BSimple Mix Upper
11BSimple Mix Downer
12ATonal Shift·
1ADiagonal Mix Upper
11ADiagonal Mix Downer
3ACompatible Tone·
2BHigh Energy Boost▲▲▲
10BHigh Energy Drain▼▼▼
3BParallel Key Upper▲▲
9BParallel Key Downer▼▼
7BTritone Jump▲▲
4BRelated Keyrisky

How to mix it

In 12B at 130 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.

Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 89/100).

Similar tempo

Within ±3 BPM of 130 — beatmatch without a big tempo pull.

More trance

More from Super8 & Tab

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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