A State of Mind - Pure Mix
- BPM
- 138
- Open Key
- 4m
- Energy
- 94/100
- Pop
- 0/100
- Length
- 8:32
- Released
- 2017
- Album
- A State of Mind
- Genre
- Trance
- Loudness
- -9.5 dB
- ISRC
- NLE711700064
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- A State of Mind - Alternative Extended Versionversion4A · 134
- A State of Mind - Mike Saint-Jules Extended Interstellar Mixversion3B · 131
- A State of Mindoriginal4A · 130
- A State of Mind - Extended Mixversion4A · 130
- A State of Mind - Mike Saint-Jules Interstellar Mixoriginal4A · 131
- A State of Mind (Mix Cut) - Mike St. Jules Interstellar Mixoriginal4A · 134
A State of Mind - Pure Mix: driving up-tempo trance, F♯ minor (11A), 138 BPM. Tonally it lands dark and driving. A 2017 production that still circulates in sets. More underground than 99% of Solarstone's catalogue. For programming, treat it as a peak-time weapon.
- Energy:
- hotter than 80% of Solarstone's catalogue
- Tempo:
- faster than 77% of Solarstone's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is A State of Mind - Pure Mix in?
A State of Mind - Pure Mix by Solarstone is in F♯ minor, or 11A on the Camelot wheel.
What BPM is A State of Mind - Pure Mix?
A State of Mind - Pure Mix runs at 138 BPM, a driving up-tempo track.
What mixes well with A State of Mind - Pure Mix?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is A State of Mind - Pure Mix good for peak time?
With energy 94 out of 100 at 138 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 138 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 138 — beatmatch without a big tempo pull.
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Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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Every insight on this page, for your own library.
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