![Beat As One [CC453] (Richard Durand Reloaded Mix) by Ferry Corsten cover art](https://i.scdn.co/image/ab67616d00001e025545b90a1f4d36f19bab0063)
Beat As One [CC453] (Richard Durand Reloaded Mix)
- BPM
- 138
- Open Key
- 8d
- Energy
- 94/100
- Pop
- 0/100
- Length
- 1:41
- Released
- 2016
- Album
- Corsten's Countdown 453
- Genre
- Trance
- Loudness
- -4.2 dB
- ISRC
- NLD681600662
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Beat As One [CC450] (Richard Durand Reloaded Mix)original4A · 138
- Beat As One [CC452] (Richard Durand Remix)remix4A · 138
- Beat as Oneoriginal4A · 128
- Beat as One [Richard Durand Reloaded Remix]remix4A · 138
At 138 BPM in D♭ major (3B), Beat As One [CC453] (Richard Durand Reloaded Mix) is a driving up-tempo trance production. Tonally it lands dark and driving. It is vocal-led. The master is loud and heavily compressed. A 2016 production that still circulates in sets. More underground than 99% of Ferry Corsten's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- faster than 86% of Ferry Corsten's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Beat As One [CC453] (Richard Durand Reloaded Mix) in?
Beat As One [CC453] (Richard Durand Reloaded Mix) by Ferry Corsten is in D♭ major, or 3B on the Camelot wheel.
What BPM is Beat As One [CC453] (Richard Durand Reloaded Mix)?
Beat As One [CC453] (Richard Durand Reloaded Mix) runs at 138 BPM, a driving up-tempo track.
What mixes well with Beat As One [CC453] (Richard Durand Reloaded Mix)?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Beat As One [CC453] (Richard Durand Reloaded Mix) good for peak time?
With energy 94 out of 100 at 138 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 138 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 138 — beatmatch without a big tempo pull.
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Every insight on this page, for your own library.
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