![Beat As One [CC452] (Richard Durand Remix) by Ferry Corsten cover art](https://i.scdn.co/image/ab67616d00001e027219d97094554beb0ad8ed9c)
Beat As One [CC452] (Richard Durand Remix)
- Key
- 4A · F minor
- BPM
- 138
- Open Key
- 9m
- Energy
- 93/100
- Pop
- 0/100
- Length
- 6:03
- Released
- 2016
- Album
- Corsten's Countdown 452
- Genre
- Trance
- Loudness
- -5.1 dB
- ISRC
- NLD681600564
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Beat As One [CC450] (Richard Durand Reloaded Mix)original4A · 138
- Beat As One [CC453] (Richard Durand Reloaded Mix)original3B · 138
- Beat as Oneoriginal4A · 128
- Beat as One [Richard Durand Reloaded Remix]remix4A · 138
Against the original (4A at 138 BPM), this version holds the same tempo in the same key.
At 138 BPM in F minor (4A), Beat As One [CC452] (Richard Durand Remix) is a driving up-tempo trance production. The feel is dark and driving. It is vocal-led. A 2016 production that still circulates in sets. More underground than 99% of Ferry Corsten's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- groovier than 94% of Ferry Corsten's catalogue
- Brightness:
- darker than 89% of Ferry Corsten's catalogue
- Tempo:
- faster than 86% of Ferry Corsten's catalogue
Sonic profile
FAQ
What key is Beat As One [CC452] (Richard Durand Remix) in?
Beat As One [CC452] (Richard Durand Remix) by Ferry Corsten is in F minor, or 4A on the Camelot wheel.
What BPM is Beat As One [CC452] (Richard Durand Remix)?
Beat As One [CC452] (Richard Durand Remix) runs at 138 BPM, a driving up-tempo track.
What mixes well with Beat As One [CC452] (Richard Durand Remix)?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Beat As One [CC452] (Richard Durand Remix) good for peak time?
With energy 93 out of 100 at 138 BPM, it works best as a peak-time weapon.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 138 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 93/100).
Similar tempo
Within ±3 BPM of 138 — beatmatch without a big tempo pull.
More trance
![Beat as One [Richard Durand Reloaded Remix] by Ferry Corsten cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/65612bcfce00b2fac684.webp){kind=small}
![Beat As One [CC450] (Richard Durand Reloaded Mix) by Ferry Corsten cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/0f9d78487555c9e0cf5c.webp){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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