Galaxy - Radio Edit
30s preview
- Key
- 4A · F minor
- BPM
- 138
- Open Key
- 9m
- Energy
- 94/100
- Pop
- 0/100
- Length
- 3:57
- Released
- 2019
- Album
- Galaxy
- Genre
- Trance
- Loudness
- -5.7 dB
- Dynamics
- 8.3 dB
- ISRC
- BEK011900533
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Galaxy - Extended Mixversion4A · 138
Galaxy - Radio Edit is a driving up-tempo trance track in F minor (4A) at 138 BPM. The feel is dark and driving. Its spectrum is weighted to the sub and kick, with a heavy low end. Darker than 99% of Paul van Dyk's catalogue. For programming, treat it as a peak-time weapon.
- Reach:
- more underground than 99% of Paul van Dyk's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Galaxy - Radio Edit in?
Galaxy - Radio Edit by Paul van Dyk is in F minor, or 4A on the Camelot wheel.
What BPM is Galaxy - Radio Edit?
Galaxy - Radio Edit runs at 138 BPM, a driving up-tempo track.
What mixes well with Galaxy - Radio Edit?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Galaxy - Radio Edit good for peak time?
With energy 94 out of 100 at 138 BPM, it works best as a peak-time weapon.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
![Be In the Moment (ASOT 850 Anthem) (Allen Watts Remix [Mix Cut]) by Armin van Buuren cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/158630b860358de2dbf9.webp){kind=small}
How to mix it
In 4A at 138 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 138 — beatmatch without a big tempo pull.
More trance
![Beat As One [CC453] (Richard Durand Reloaded Mix) by Ferry Corsten cover art](https://i.scdn.co/image/ab67616d00001e025545b90a1f4d36f19bab0063){kind=small}
More from Paul van Dyk
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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