![Tomorrow Never Dies [Bombay] - Radio Edit by Markus Schulz cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/7ecacabc3949329181c1.webp)
Tomorrow Never Dies [Bombay] - Radio Edit
30s preview
- BPM
- 131
- Open Key
- 7d
- Energy
- 94/100
- Pop
- 0/100
- Length
- 3:24
- Released
- 2015
- Album
- Tomorrow Never Dies [Bombay]
- Genre
- Trance
- Loudness
- -3.3 dB
- Dynamics
- 10.9 dB
- ISRC
- NLD681501287
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
Tomorrow Never Dies [Bombay] - Radio Edit runs 131 BPM in F♯ major (2B), a peak-time tempo trance record. It is vocal-led. The master is loud and heavily compressed. A 2015 production that still circulates in sets. More underground than 99% of Markus Schulz's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 93% of Markus Schulz's catalogue
- Energy:
- hotter than 84% of Markus Schulz's catalogue
- Low end:
- more treble-tilted than 75% of Markus Schulz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Tomorrow Never Dies [Bombay] - Radio Edit in?
Tomorrow Never Dies [Bombay] - Radio Edit by Markus Schulz is in F♯ major, or 2B on the Camelot wheel.
What BPM is Tomorrow Never Dies [Bombay] - Radio Edit?
Tomorrow Never Dies [Bombay] - Radio Edit runs at 131 BPM, a peak-time tempo track.
What mixes well with Tomorrow Never Dies [Bombay] - Radio Edit?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Tomorrow Never Dies [Bombay] - Radio Edit good for peak time?
With energy 94 out of 100 at 131 BPM, it works best as a peak-time weapon.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 131 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 123-139 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 131 — beatmatch without a big tempo pull.
More trance
More from Markus Schulz
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 131 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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