![Back to Paradise [CC451] (Craig Connelly Remix) by Ferry Corsten cover art](https://i.scdn.co/image/ab67616d00001e02aea29dedff192173ae70331f)
Back to Paradise [CC451] (Craig Connelly Remix)
- BPM
- 135
- Open Key
- 3d
- Energy
- 97/100
- Pop
- 0/100
- Length
- 5:58
- Released
- 2016
- Album
- Corsten's Countdown 451
- Genre
- Trance
- Loudness
- -5.2 dB
- ISRC
- NLD681600483
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Back to Paradise (Ferry Fix)original11A · 132
- Back to Paradise [Craig Connelly Remix]remix11A · 135
Against the original (11A at 132 BPM), this version runs 3 BPM faster and moves the key from 11A to 10B.
Back to Paradise [CC451] (Craig Connelly Remix) runs 135 BPM in D major (10B), a driving up-tempo trance record. It reads as dark and driving. It is vocal-led. A 2016 production that still circulates in sets. More underground than 99% of Ferry Corsten's catalogue. For programming, treat it as a peak-time weapon.
- Energy:
- hotter than 90% of Ferry Corsten's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Back to Paradise [CC451] (Craig Connelly Remix) in?
Back to Paradise [CC451] (Craig Connelly Remix) by Ferry Corsten is in D major, or 10B on the Camelot wheel.
What BPM is Back to Paradise [CC451] (Craig Connelly Remix)?
Back to Paradise [CC451] (Craig Connelly Remix) runs at 135 BPM, a driving up-tempo track.
What mixes well with Back to Paradise [CC451] (Craig Connelly Remix)?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Back to Paradise [CC451] (Craig Connelly Remix) good for peak time?
With energy 97 out of 100 at 135 BPM, it works best as a peak-time weapon.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
![Field of Joy [Listener's Choice] [CC447] (Ferry Corsten Remix) by Ferry Corsten cover art](https://i.scdn.co/image/ab67616d00001e023b846f5c2f7ea915d9184be4){kind=small}
How to mix it
In 10B at 135 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 97/100).
Similar tempo
Within ±3 BPM of 135 — beatmatch without a big tempo pull.
More trance
More from Ferry Corsten
Full profile
![New Inner Way (ASOT 1215) [Trending Track] by Ferry Corsten cover art](https://i.scdn.co/image/ab67616d00001e027d6073953cf296ab1c10248a){kind=small}
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![We Come Together [Mix Cut] - Arty Remix by Paul van Dyk cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/5e389a0e278d62dcf488.webp){kind=small}
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.