Immortal (Ruben de Ronde presents NRG2000 remix)
30s preview
- Key
- 4A · F minor
- BPM
- 135
- Open Key
- 9m
- Energy
- 98/100
- Pop
- 5/100
- Length
- 4:25
- Released
- 2024
- Genre
- Progressive Trance
- Loudness
- -4.1 dB
- Dynamics
- 10.3 dB
- ISRC
- GBPS62400009
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 135 BPM in F minor (4A), Immortal (Ruben de Ronde presents NRG2000 remix) is a driving up-tempo progressive trance production. The feel is dark and driving. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. Hotter than 93% of Ruben de Ronde's catalogue. For programming, treat it as a peak-time weapon.
- Tempo:
- faster than 87% of Ruben de Ronde's catalogue
- Groove:
- less groove-driven than 84% of Ruben de Ronde's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Immortal (Ruben de Ronde presents NRG2000 remix) in?
Immortal (Ruben de Ronde presents NRG2000 remix) by Ruben de Ronde is in F minor, or 4A on the Camelot wheel.
What BPM is Immortal (Ruben de Ronde presents NRG2000 remix)?
Immortal (Ruben de Ronde presents NRG2000 remix) runs at 135 BPM, a driving up-tempo track.
What mixes well with Immortal (Ruben de Ronde presents NRG2000 remix)?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Immortal (Ruben de Ronde presents NRG2000 remix) good for peak time?
With energy 98 out of 100 at 135 BPM, it works best as a peak-time weapon.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
![Bombay [Mumbai] (Jordan Suckley Remix) by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02dddfb103d7ef52bb11add85b){kind=small}
How to mix it
In 4A at 135 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 98/100).
Similar tempo
Within ±3 BPM of 135 — beatmatch without a big tempo pull.
![Back to Paradise [CC451] (Craig Connelly Remix) by Ferry Corsten cover art](https://i.scdn.co/image/ab67616d00001e02aea29dedff192173ae70331f){kind=small}
More progressive trance
![Field of Joy [Listener's Choice] [CC447] (Ferry Corsten Remix) by Ferry Corsten cover art](https://i.scdn.co/image/ab67616d00001e023b846f5c2f7ea915d9184be4){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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