![Bombay [Mumbai] (Jordan Suckley Remix) by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02dddfb103d7ef52bb11add85b)
Bombay [Mumbai] (Jordan Suckley Remix)
30s preview
- BPM
- 135
- Open Key
- 9d
- Energy
- 100/100
- Pop
- 0/100
- Length
- 6:38
- Released
- 2016
- Album
- Global DJ Broadcast - Top 20 May 2016
- Genre
- Trance
- Loudness
- -4.9 dB
- Dynamics
- 10.2 dB
- ISRC
- NLD681600200
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Bombay [Mumbai] (Radio Edit)version3B · 131
- Bombay [Mumbai]original3B · 131
Against the original (3B at 131 BPM), this version runs 4 BPM faster and moves the key from 3B to 4B.
Bombay [Mumbai] (Jordan Suckley Remix): driving up-tempo trance, A♭ major (4B), 135 BPM. It reads as dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. A 2016 production that still circulates in sets. Hotter than 99% of Markus Schulz's catalogue. For programming, treat it as a peak-time weapon.
- Reach:
- more underground than 99% of Markus Schulz's catalogue
- Tempo:
- faster than 87% of Markus Schulz's catalogue
- Groove:
- less groove-driven than 79% of Markus Schulz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Bombay [Mumbai] (Jordan Suckley Remix) in?
Bombay [Mumbai] (Jordan Suckley Remix) by Markus Schulz is in A♭ major, or 4B on the Camelot wheel.
What BPM is Bombay [Mumbai] (Jordan Suckley Remix)?
Bombay [Mumbai] (Jordan Suckley Remix) runs at 135 BPM, a driving up-tempo track.
What mixes well with Bombay [Mumbai] (Jordan Suckley Remix)?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Bombay [Mumbai] (Jordan Suckley Remix) good for peak time?
With energy 100 out of 100 at 135 BPM, it works best as a peak-time weapon.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 135 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 100/100).
Similar tempo
Within ±3 BPM of 135 — beatmatch without a big tempo pull.
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