What Remains Of Us
- Key
- 8B · C major
- BPM
- 135
- Open Key
- 1d
- Energy
- 100/100
- Pop
- 0/100
- Length
- 3:28
- Released
- 2025
- Genre
- Trance
- Loudness
- -4.4 dB
- ISRC
- NLE712500601
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
What Remains Of Us: driving up-tempo trance, C major (8B), 135 BPM. It reads as dark and driving. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. The master is loud and heavily compressed. Hotter than 99% of Markus Schulz's catalogue. For programming, treat it as a peak-time weapon.
- Reach:
- more underground than 99% of Markus Schulz's catalogue
- Groove:
- less groove-driven than 97% of Markus Schulz's catalogue
- Brightness:
- darker than 93% of Markus Schulz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is What Remains Of Us in?
What Remains Of Us by Markus Schulz is in C major, or 8B on the Camelot wheel.
What BPM is What Remains Of Us?
What Remains Of Us runs at 135 BPM, a driving up-tempo track.
What mixes well with What Remains Of Us?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is What Remains Of Us good for peak time?
With energy 100 out of 100 at 135 BPM, it works best as a peak-time weapon.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
![We Come Together [Mix Cut] - Arty Remix by Paul van Dyk cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/5e389a0e278d62dcf488.webp){kind=small}
How to mix it
In 8B at 135 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 100/100).
Similar tempo
Within ±3 BPM of 135 — beatmatch without a big tempo pull.
![Bombay [Mumbai] (Jordan Suckley Remix) by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02dddfb103d7ef52bb11add85b){kind=small}
More trance
![Field of Joy [Listener's Choice] [CC447] (Ferry Corsten Remix) by Ferry Corsten cover art](https://i.scdn.co/image/ab67616d00001e023b846f5c2f7ea915d9184be4){kind=small}
![Back to Paradise [CC451] (Craig Connelly Remix) by Ferry Corsten cover art](https://i.scdn.co/image/ab67616d00001e02aea29dedff192173ae70331f){kind=small}
More from Markus Schulz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![The Girl With Her Head In The Clouds [Ellie's Song] by Factor B cover art](https://i.scdn.co/image/ab67616d00001e02f21ae234f54653fe466f3ed7){kind=small}
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