Punk - Rich Kidz Remix
30s preview
- BPM
- 135
- Open Key
- 3m
- Energy
- 97/100
- Pop
- 0/100
- Length
- 7:21
- Released
- 2002
- Album
- Punk
- Genre
- Trance
- Loudness
- -8.2 dB
- Dynamics
- 13.1 dB
- ISRC
- NLB770200107
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Punk - Reinier Zonneveld Remixremix8A · 135
- Punk - Tom Staar Extended Remixremix9B · 126
- Punk - Tom Staar Remixremix9B · 126
- Punk - MaRLo Remixremix9B · 135
- Punk - Arty Rock-n-Rolla Radio Editversion9B · 132
- Punkoriginal9B · 135
Against the original (9B at 135 BPM), this version holds the same tempo and moves the key from 9B to 10A.
A driving up-tempo trance cut, Punk - Rich Kidz Remix sits in B minor (10A) at 135 BPM. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2002 production that still circulates in sets. More underground than 99% of Ferry Corsten's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- hotter than 88% of Ferry Corsten's catalogue
- Groove:
- groovier than 86% of Ferry Corsten's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Punk - Rich Kidz Remix in?
Punk - Rich Kidz Remix by Ferry Corsten is in B minor, or 10A on the Camelot wheel.
What BPM is Punk - Rich Kidz Remix?
Punk - Rich Kidz Remix runs at 135 BPM, a driving up-tempo track.
What mixes well with Punk - Rich Kidz Remix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Punk - Rich Kidz Remix good for peak time?
With energy 97 out of 100 at 135 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
![Back to Paradise [Craig Connelly Remix] by Ferry Corsten cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/65612bcfce00b2fac684.webp){kind=small}
![Back to Paradise [CC451] (Craig Connelly Remix) by Ferry Corsten cover art](https://i.scdn.co/image/ab67616d00001e02aea29dedff192173ae70331f){kind=small}
![Beirut [Mix Cut] - Giuseppe Ottaviani Remix by Giuseppe Ottaviani cover art](https://i.scdn.co/image/ab67616d00001e02768402e504d7c031c244a234){kind=small}
How to mix it
In 10A at 135 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 97/100).
Similar tempo
Within ±3 BPM of 135 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![Field of Joy [Listener's Choice] [CC447] (Ferry Corsten Remix) by Ferry Corsten cover art](https://i.scdn.co/image/ab67616d00001e023b846f5c2f7ea915d9184be4){kind=small}
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