Not Afraid To Fall - The WLT Remix
- Key
- 7A · D minor
- BPM
- 138
- Open Key
- 12m
- Energy
- 95/100
- Pop
- 0/100
- Length
- 4:17
- Released
- 2021
- Album
- Not Afraid to Fall
- Genre
- Trance
- Loudness
- -5.8 dB
- ISRC
- NLE712100085
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Not Afraid to Fall - Markus Schulz Escape Mixoriginal7A · 134
- Not Afraid to Fall (Destinations 25) - Markus Schulz Escape Mixoriginal7A · 135
- Not Afraid to Fall (Destinations 15) - Markus Schulz Escape Mixoriginal7A · 135
- Not Afraid To Fall - Extended Mixversion7A · 128
- Not Afraid To Fall - Markus Schulz Extended Escape Mixversion7A · 134
- Not Afraid To Fall - The WLT Extended Remixremix7A · 138
Against the original (7A at 134 BPM), this version runs 4 BPM faster in the same key.
A driving up-tempo trance cut, Not Afraid To Fall - The WLT Remix sits in D minor (7A) at 138 BPM. Tonally it lands dark and driving. It leans atmospheric over strictly danceable. It is vocal-led. More underground than 99% of Markus Schulz's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- faster than 95% of Markus Schulz's catalogue
- Energy:
- hotter than 90% of Markus Schulz's catalogue
- Groove:
- less groove-driven than 88% of Markus Schulz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Not Afraid To Fall - The WLT Remix in?
Not Afraid To Fall - The WLT Remix by Markus Schulz is in D minor, or 7A on the Camelot wheel.
What BPM is Not Afraid To Fall - The WLT Remix?
Not Afraid To Fall - The WLT Remix runs at 138 BPM, a driving up-tempo track.
What mixes well with Not Afraid To Fall - The WLT Remix?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is Not Afraid To Fall - The WLT Remix good for peak time?
With energy 95 out of 100 at 138 BPM, it works best as a peak-time weapon.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
How to mix it
In 7A at 138 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 95/100).
Similar tempo
Within ±3 BPM of 138 — beatmatch without a big tempo pull.
More trance
More from Markus Schulz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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