I Found You (with Meredith Call) - Giuseppe Ottaviani Remix
30s preview
- Key
- 1B · B major
- BPM
- 138
- Open Key
- 6d
- Energy
- 95/100
- Pop
- 0/100
- Length
- 6:51
- Released
- 2017
- Album
- I Found You (with Meredith Call) [Giuseppe Ottaviani Remix]
- Genre
- Trance
- Loudness
- -5.3 dB
- Dynamics
- 12.3 dB
- ISRC
- NLE711700127
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- I Found You - Extended Mixversion1B · 125
- I Found You (with Meredith Call)version12B · 125
- I Found Youoriginal12B · 125
Against the original (12B at 125 BPM), this version runs 13 BPM faster and moves the key from 12B to 1B.
I Found You (with Meredith Call) - Giuseppe Ottaviani Remix is a driving up-tempo trance track in B major (1B) at 138 BPM. It is vocal-led. The master keeps unusual dynamic range for club music (crest 12 dB). A 2017 production that still circulates in sets. More underground than 99% of Solarstone's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 89% of Solarstone's catalogue
- Low end:
- more treble-tilted than 86% of Solarstone's catalogue
- Energy:
- hotter than 84% of Solarstone's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is I Found You (with Meredith Call) - Giuseppe Ottaviani Remix in?
I Found You (with Meredith Call) - Giuseppe Ottaviani Remix by Solarstone is in B major, or 1B on the Camelot wheel.
What BPM is I Found You (with Meredith Call) - Giuseppe Ottaviani Remix?
I Found You (with Meredith Call) - Giuseppe Ottaviani Remix runs at 138 BPM, a driving up-tempo track.
What mixes well with I Found You (with Meredith Call) - Giuseppe Ottaviani Remix?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is I Found You (with Meredith Call) - Giuseppe Ottaviani Remix good for peak time?
With energy 95 out of 100 at 138 BPM, it works best as a peak-time weapon.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 138 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 95/100).
Similar tempo
Within ±3 BPM of 138 — beatmatch without a big tempo pull.
![United (feat. Zafrir) [Extended Mix] by Armin van Buuren cover art](https://i.scdn.co/image/ab67616d00001e025c6c772fd888a57e9dcca389){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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