Forbidden Fruit - Giuseppe Ottoviani
- BPM
- 137
- Open Key
- 4d
- Energy
- 95/100
- Pop
- 0/100
- Length
- 7:07
- Released
- 2009
- Album
- PvD Best Of - Remixes Part 1
- Genre
- Trance
- Loudness
- -8.2 dB
- ISRC
- DEW760900062
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Forbidden Fruit - Originaloriginal10A · 136
- Forbidden Fruit - Video Editversion11B · 132
- Forbidden Fruit - BT & PvD's Food Of Love Mixoriginal11B · 131
- Forbidden Fruit - Futureworld Mixoriginal9B · 136
- Forbidden Fruitoriginal11B · 135
- Forbidden Fruit - DVD Main Studio Versionoriginal11B · 135
Forbidden Fruit - Giuseppe Ottoviani: driving up-tempo trance, A major (11B), 137 BPM. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. A 2009 production that still circulates in sets. More underground than 99% of Paul van Dyk's catalogue. For programming, treat it as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Forbidden Fruit - Giuseppe Ottoviani in?
Forbidden Fruit - Giuseppe Ottoviani by Paul van Dyk is in A major, or 11B on the Camelot wheel.
What BPM is Forbidden Fruit - Giuseppe Ottoviani?
Forbidden Fruit - Giuseppe Ottoviani runs at 137 BPM, a driving up-tempo track.
What mixes well with Forbidden Fruit - Giuseppe Ottoviani?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Forbidden Fruit - Giuseppe Ottoviani good for peak time?
With energy 95 out of 100 at 137 BPM, it works best as a peak-time weapon.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 137 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 129-145 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 95/100).
Similar tempo
Within ±3 BPM of 137 — beatmatch without a big tempo pull.
More trance
![Crazy People [Mix Cut] (Captain Hook remix) by Liquid Soul cover art](https://i.scdn.co/image/ab67616d00001e023e1cfb7b0ebe818f56afcf7d){kind=small}
More from Paul van Dyk
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 137 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![Unfamiliar Truth (John O'Callaghan Radio Edit) [feat. Hysteria!] by John O'Callaghan cover art](https://i.scdn.co/image/ab67616d00001e02b00e3f27830d1c529bbf52e0){kind=small}
![The Falling [Mix Cut] - Paul van Dyk Remix by Paul van Dyk cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/5e389a0e278d62dcf488.webp){kind=small}
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