Space and Time (club mix)
- Key
- 9B · G major
- BPM
- 137
- Open Key
- 2d
- Energy
- 99/100
- Pop
- 0/100
- Length
- 7:32
- Released
- 2007
- Genre
- Trance
- Loudness
- -6.2 dB
- ISRC
- GBJAL0700036
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 137 BPM in G major (9B), Space and Time (club mix) is a driving up-tempo trance production. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. A 2007 production that still circulates in sets. More underground than 99% of John O'Callaghan's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- groovier than 98% of John O'Callaghan's catalogue
- Brightness:
- brighter than 94% of John O'Callaghan's catalogue
- Tempo:
- slower than 77% of John O'Callaghan's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Space and Time (club mix) in?
Space and Time (club mix) by John O'Callaghan is in G major, or 9B on the Camelot wheel.
What BPM is Space and Time (club mix)?
Space and Time (club mix) runs at 137 BPM, a driving up-tempo track.
What mixes well with Space and Time (club mix)?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Space and Time (club mix) good for peak time?
With energy 99 out of 100 at 137 BPM, it works best as a peak-time weapon.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
![The Falling [Mix Cut] - Paul van Dyk Remix by Paul van Dyk cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/5e389a0e278d62dcf488.webp){kind=small}
How to mix it
In 9B at 137 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 129-145 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 99/100).
Similar tempo
Within ±3 BPM of 137 — beatmatch without a big tempo pull.
More trance
More from John O'Callaghan
Full profile
![Never Fade Away [mix cut] (Giuseppe Ottaviani remix) by John O'Callaghan cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/ec1d6fb5f81b29aa34a5.webp){kind=small}
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 137 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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