Tri-State by Above & Beyond cover art

30s preview

Key
10B · D major
BPM
138
Open Key
3d
Energy
100/100
Pop
2/100
Length
8:23
Released
2006
Genre
Progressive Trance
Loudness
-6.9 dB
Dynamics
11.0 dB
ISRC
GBEWA0600806

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Tri-State runs 138 BPM in D major (10B), a driving up-tempo progressive trance record. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). A 2006 production that still circulates in sets. Hotter than 99% of Above & Beyond's catalogue. In a set it works best as a peak-time weapon.

Tempo:
faster than 90% of Above & Beyond's catalogue
Brightness:
brighter than 89% of Above & Beyond's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy100
Mood40Balanced
Groove64
Acoustic0
Instrumental77
Live6
Speech5
darkaggressiveinstrumental

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Tri-State in?

Tri-State by Above & Beyond is in D major, or 10B on the Camelot wheel.

What BPM is Tri-State?

Tri-State runs at 138 BPM, a driving up-tempo track.

What mixes well with Tri-State?

From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.

Is Tri-State good for peak time?

With energy 100 out of 100 at 138 BPM, it works best as a peak-time weapon.

Mixes harmonically

10B9B · 11B · 10A

From 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.

#TrackKey·BPM

Every move from 10B

11BSimple Mix Upper
9BSimple Mix Downer
10ATonal Shift·
11ADiagonal Mix Upper
9ADiagonal Mix Downer
1ACompatible Tone·
12BHigh Energy Boost▲▲▲
8BHigh Energy Drain▼▼▼
1BParallel Key Upper▲▲
7BParallel Key Downer▼▼
5BTritone Jump▲▲
2BRelated Keyrisky

How to mix it

In 10B at 138 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.

Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 100/100).

Similar tempo

Within ±3 BPM of 138 — beatmatch without a big tempo pull.

More progressive trance

More from Above & Beyond

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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