Coming Down - Extended Mix
30s preview
- BPM
- 138
- Open Key
- 8m
- Energy
- 100/100
- Pop
- 0/100
- Length
- 5:39
- Released
- 2019
- Album
- Coming Down
- Genre
- Trance
- Label
- Flashover Trance
- Loudness
- -6.0 dB
- Dynamics
- 11.1 dB
- ISRC
- NLQ881900007
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Coming Downoriginal3A · 138
- Coming Down - Saad Ayub Extended Remixremix2B · 130
- Coming Down - Saad Ayub Remixremix2A · 130
- Coming Down - Yan Weinstock Extended Remixremix3A · 130
- Coming Down - Yan Weinstock Remixremix3A · 130
Against the original (3A at 138 BPM), this version holds the same tempo in the same key.
Coming Down - Extended Mix runs 138 BPM in B♭ minor (3A), a driving up-tempo trance record. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). More underground than 99% of Jody 6's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 89% of Jody 6's catalogue
- Energy:
- hotter than 81% of Jody 6's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Coming Down - Extended Mix in?
Coming Down - Extended Mix by Jody 6 is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Coming Down - Extended Mix?
Coming Down - Extended Mix runs at 138 BPM, a driving up-tempo track.
What mixes well with Coming Down - Extended Mix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Coming Down - Extended Mix good for peak time?
With energy 100 out of 100 at 138 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 138 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 100/100).
Similar tempo
Within ±3 BPM of 138 — beatmatch without a big tempo pull.
More trance
More from Jody 6
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
