Not Coming Down
30s preview
- BPM
- 134
- Open Key
- 3d
- Energy
- 84/100
- Pop
- 0/100
- Length
- 7:30
- Released
- 2012
- Genre
- Trance
- Loudness
- -4.9 dB
- Dynamics
- 9.4 dB
- ISRC
- NLQ881100959
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Not Coming Down is a peak-time tempo trance track in D major (10B) at 134 BPM. Tonally it lands dark and driving. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. A 2012 production that still circulates in sets. More underground than 99% of Ferry Corsten's catalogue. For programming, treat it as a peak-time weapon.
- Brightness:
- darker than 85% of Ferry Corsten's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Not Coming Down in?
Not Coming Down by Ferry Corsten is in D major, or 10B on the Camelot wheel.
What BPM is Not Coming Down?
Not Coming Down runs at 134 BPM, a peak-time tempo track.
What mixes well with Not Coming Down?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Not Coming Down good for peak time?
With energy 84 out of 100 at 134 BPM, it works best as a peak-time weapon.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
![Go On Air [Mix Cut] - Original Mix by Giuseppe Ottaviani cover art](https://i.scdn.co/image/ab67616d00001e02768402e504d7c031c244a234){kind=small}
How to mix it
In 10B at 134 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 126-142 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 84/100).
Similar tempo
Within ±3 BPM of 134 — beatmatch without a big tempo pull.
![Fusing Love [Mix Cut] - Markus Schulz & Austin Leeds Remix by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02cb62953ce7abfd185574eb74){kind=small}
More trance
![Thing Called Love [feat. Richard Bedford] by Above & Beyond cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/446ad3dd9cc448a5f242.webp){kind=small}
More from Ferry Corsten
Full profile
![New Inner Way (ASOT 1215) [Trending Track] by Ferry Corsten cover art](https://i.scdn.co/image/ab67616d00001e027d6073953cf296ab1c10248a){kind=small}
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 134 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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