All in Time by Third Son cover art

All in Time

Third Son

30s preview

Key
10A · B minor
BPM
134
Open Key
3m
Energy
81/100
Pop
1/100
Length
5:11
Released
2022
Genre
Tech House
Loudness
-6.2 dB
Dynamics
15.8 dB
ISRC
UK34N1800704

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

A peak-time tempo tech house cut, All in Time sits in B minor (10A) at 134 BPM. Tonally it lands bright and euphoric. The master keeps unusual dynamic range for club music (crest 16 dB). Faster than 97% of Third Son's catalogue. In a set it works best as a peak-time weapon.

Brightness:
brighter than 97% of Third Son's catalogue
Low end:
more treble-tilted than 92% of Third Son's catalogue
Groove:
less groove-driven than 82% of Third Son's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy81
Mood82Bright
Groove68
Acoustic0
Instrumental59
Live7
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
29%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
25%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is All in Time in?

All in Time by Third Son is in B minor, or 10A on the Camelot wheel.

What BPM is All in Time?

All in Time runs at 134 BPM, a peak-time tempo track.

What mixes well with All in Time?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is All in Time good for peak time?

With energy 81 out of 100 at 134 BPM, it works best as a peak-time weapon.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

#TrackKey·BPM

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 134 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 126-142 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 81/100).

Similar tempo

Within ±3 BPM of 134 — beatmatch without a big tempo pull.

More tech house

#TrackKey·BPM

More from Third Son

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 134 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.