Coming Up (It's Dare) (extended version)
30s preview
- Key
- 7A · D minor
- BPM
- 134
- Open Key
- 12m
- Energy
- 82/100
- Pop
- 0/100
- Length
- 3:01
- Released
- 2025
- Genre
- Tech House
- Loudness
- -4.7 dB
- Dynamics
- 9.3 dB
- ISRC
- USAT22508684
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Coming Up (It's Dare) (extended version): peak-time tempo tech house, D minor (7A), 134 BPM. The feel is dark and driving. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. More underground than 99% of Odd Mob's catalogue. For programming, treat it as a peak-time weapon.
- Brightness:
- darker than 97% of Odd Mob's catalogue
- Groove:
- less groove-driven than 93% of Odd Mob's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Coming Up (It's Dare) (extended version) in?
Coming Up (It's Dare) (extended version) by Odd Mob is in D minor, or 7A on the Camelot wheel.
What BPM is Coming Up (It's Dare) (extended version)?
Coming Up (It's Dare) (extended version) runs at 134 BPM, a peak-time tempo track.
What mixes well with Coming Up (It's Dare) (extended version)?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is Coming Up (It's Dare) (extended version) good for peak time?
With energy 82 out of 100 at 134 BPM, it works best as a peak-time weapon.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
How to mix it
In 7A at 134 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 126-142 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 82/100).
Similar tempo
Within ±3 BPM of 134 — beatmatch without a big tempo pull.
More tech house
More from Odd Mob
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 134 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.