All In Time - Instrumental Mix
30s preview
- BPM
- 134
- Open Key
- 3m
- Energy
- 74/100
- Pop
- 0/100
- Length
- 5:32
- Released
- 2023
- Album
- All In Time (Instrumental)
- Genre
- Tech House
- Loudness
- -8.7 dB
- Dynamics
- 19.4 dB
- ISRC
- UK34N1800743
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- All in Timeoriginal10A · 134
Against the original (10A at 134 BPM), this version holds the same tempo in the same key.
A peak-time tempo tech house cut, All In Time - Instrumental Mix sits in B minor (10A) at 134 BPM. It reads as punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 19 dB). More underground than 99% of Third Son's catalogue. In a set it works best as a floor-filler.
- Tempo:
- faster than 97% of Third Son's catalogue
- Low end:
- more treble-tilted than 94% of Third Son's catalogue
- Brightness:
- brighter than 80% of Third Son's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 28%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is All In Time - Instrumental Mix in?
All In Time - Instrumental Mix by Third Son is in B minor, or 10A on the Camelot wheel.
What BPM is All In Time - Instrumental Mix?
All In Time - Instrumental Mix runs at 134 BPM, a peak-time tempo track.
What mixes well with All In Time - Instrumental Mix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is All In Time - Instrumental Mix good for peak time?
With energy 74 out of 100 at 134 BPM, it works best as a floor-filler.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 134 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 126-142 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 134 — beatmatch without a big tempo pull.
More tech house
More from Third Son
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 134 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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