Part Two
- Key
- 6A · G minor
- BPM
- 133
- Open Key
- 11m
- Energy
- 75/100
- Pop
- 33/100
- Length
- 3:17
- Released
- 2018
- Genre
- Techno
- Loudness
- -9.9 dB
- ISRC
- DEE861800407
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Part Two: peak-time tempo techno, G minor (6A), 133 BPM. The groove is strong and floor-ready. A 2018 production that still circulates in sets. Brighter than 94% of Paul Kalkbrenner's catalogue.
- Tempo:
- faster than 88% of Paul Kalkbrenner's catalogue
- Energy:
- hotter than 86% of Paul Kalkbrenner's catalogue
- Reach:
- better known than 81% of Paul Kalkbrenner's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Part Two in?
Part Two by Paul Kalkbrenner is in G minor, or 6A on the Camelot wheel.
What BPM is Part Two?
Part Two runs at 133 BPM, a peak-time tempo track.
What mixes well with Part Two?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Part Two good for peak time?
With energy 75 out of 100 at 133 BPM, it works best as a peak-time weapon.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 133 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 125-141 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 75/100).
Similar tempo
Within ±3 BPM of 133 — beatmatch without a big tempo pull.
More techno
More from Paul Kalkbrenner
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 133 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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