Minus/Orange 2 by Richie Hawtin cover art

Minus/Orange 2

Richie Hawtin

Key
10A · B minor
BPM
133
Open Key
3m
Energy
77/100
Pop
26/100
Length
3:57
Released
1996
Genre
Techno
Loudness
-13.4 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Minus/Orange 2: peak-time tempo techno, B minor (10A), 133 BPM. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 1996 production that still circulates in sets. Better known than 93% of Richie Hawtin's catalogue. In a set it works best as a peak-time weapon.

Groove:
groovier than 81% of Richie Hawtin's catalogue
Tempo:
faster than 79% of Richie Hawtin's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy77
Mood4Dark
Groove80
Acoustic6
Instrumental85
Live7
Speech5
brightpartyvoice

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Minus/Orange 2 in?

Minus/Orange 2 by Richie Hawtin is in B minor, or 10A on the Camelot wheel.

What BPM is Minus/Orange 2?

Minus/Orange 2 runs at 133 BPM, a peak-time tempo track.

What mixes well with Minus/Orange 2?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Minus/Orange 2 good for peak time?

With energy 77 out of 100 at 133 BPM, it works best as a peak-time weapon.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

#Track

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 133 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 125-141 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 77/100).

Similar tempo

Within ±3 BPM of 133 — beatmatch without a big tempo pull.

More techno

#Track

More from Richie Hawtin

Full profile
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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 133 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track