Orange/Minus (1)
30s preview
- Key
- 8B · C major
- BPM
- 133
- Open Key
- 1d
- Energy
- 78/100
- Pop
- 0/100
- Length
- 6:45
- Released
- 1996
- Album
- Minus Orange
- Genre
- Techno
- Label
- M_nus
- Loudness
- -11.3 dB
- Dynamics
- 15.7 dB
- ISRC
- CAM269950003
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Orange/Minus (1) is a peak-time tempo techno track in C major (8B) at 133 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 16 dB). A 1996 production that still circulates in sets. More underground than 99% of Richie Hawtin's catalogue.
- Tempo:
- faster than 79% of Richie Hawtin's catalogue
- Groove:
- groovier than 79% of Richie Hawtin's catalogue
- Low end:
- more treble-tilted than 79% of Richie Hawtin's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Orange/Minus (1) in?
Orange/Minus (1) by Richie Hawtin is in C major, or 8B on the Camelot wheel.
What BPM is Orange/Minus (1)?
Orange/Minus (1) runs at 133 BPM, a peak-time tempo track.
What mixes well with Orange/Minus (1)?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Orange/Minus (1) good for peak time?
With energy 78 out of 100 at 133 BPM, it works best as a peak-time weapon.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 133 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 125-141 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 78/100).
Similar tempo
Within ±3 BPM of 133 — beatmatch without a big tempo pull.
More techno
More from Richie Hawtin
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 133 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
