Innocence - Truncate Remix
30s preview
- Key
- 9A · E minor
- BPM
- 134
- Open Key
- 2m
- Energy
- 85/100
- Pop
- 1/100
- Length
- 6:29
- Released
- 2017
- Album
- Nost Rmxs 2
- Genre
- Techno
- Loudness
- -8.8 dB
- Dynamics
- 9.8 dB
- ISRC
- DEAE61700035
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Innocenceoriginal3B · 128
Against the original (3B at 128 BPM), this version runs 6 BPM faster and moves the key from 3B to 9A.
A peak-time tempo techno cut, Innocence - Truncate Remix sits in E minor (9A) at 134 BPM. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2017 production that still circulates in sets. Darker than 99% of Ellen Allien's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- hotter than 82% of Ellen Allien's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 43%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 15%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Innocence - Truncate Remix in?
Innocence - Truncate Remix by Ellen Allien is in E minor, or 9A on the Camelot wheel.
What BPM is Innocence - Truncate Remix?
Innocence - Truncate Remix runs at 134 BPM, a peak-time tempo track.
What mixes well with Innocence - Truncate Remix?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Innocence - Truncate Remix good for peak time?
With energy 85 out of 100 at 134 BPM, it works best as a peak-time weapon.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 134 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 126-142 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 85/100).
Similar tempo
Within ±3 BPM of 134 — beatmatch without a big tempo pull.
More techno
More from Ellen Allien
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 134 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![Beyond the Measure - Mark Broom Remix [Edit] by Mark Broom cover art](https://i.scdn.co/image/ab67616d00001e02d4c6f44a7d027e2502b06840){kind=small}
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