Ready - Sebastian Krieg & Roman F. Remix
- BPM
- 129
- Open Key
- 4d
- Energy
- 54/100
- Pop
- 0/100
- Length
- 7:15
- Released
- 2010
- Album
- Ready, Pt. 1
- Genre
- Trance
- Loudness
- -9.4 dB
- ISRC
- DEQ691000122
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Ready - Andrew Bennett Dub Mixversion12B · 128
- Ready - Dub Mixversion11B · 138
- Ready - Maarten De Jong Dub Mixversion11B · 134
- Ready - Sebastian Krieg & Roman F. Dub Mixversion11A · 129
- Ready - Sied van Riel Remixremix1B · 138
- Ready - Walsh & McAuley Dub Mixversion11B · 135
A peak-time tempo trance cut, Ready - Sebastian Krieg & Roman F. Remix sits in A major (11B) at 129 BPM. The feel is dark and steady. The groove is strong and floor-ready. A 2010 production that still circulates in sets. More underground than 99% of Giuseppe Ottaviani's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 98% of Giuseppe Ottaviani's catalogue
- Groove:
- groovier than 98% of Giuseppe Ottaviani's catalogue
- Tempo:
- slower than 84% of Giuseppe Ottaviani's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Ready - Sebastian Krieg & Roman F. Remix in?
Ready - Sebastian Krieg & Roman F. Remix by Giuseppe Ottaviani is in A major, or 11B on the Camelot wheel.
What BPM is Ready - Sebastian Krieg & Roman F. Remix?
Ready - Sebastian Krieg & Roman F. Remix runs at 129 BPM, a peak-time tempo track.
What mixes well with Ready - Sebastian Krieg & Roman F. Remix?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Ready - Sebastian Krieg & Roman F. Remix good for peak time?
With energy 54 out of 100 at 129 BPM, it works best as a mid-set roller.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 129 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 129 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.