Loops Of Infinity (Zyrus 7 Extended Remix)
- BPM
- 140
- Half-time
- 70
- Open Key
- 8m
- Energy
- 97/100
- Pop
- 8/100
- Length
- 6:31
- Released
- 2024
- Album
- Loops Of Infinity (Zyrus 7 Remix)
- Genre
- Trance
- Label
- Dreamscape
- Loudness
- -5.8 dB
- ISRC
- DEA312401657
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Loops Of Infinityoriginal5A · 140
- Loops Of Infinity (Zyrus 7 Remix)remix5A · 140
Against the original (5A at 140 BPM), this version holds the same tempo and moves the key from 5A to 3A.
At 140 BPM in B♭ minor (3A), Loops Of Infinity (Zyrus 7 Extended Remix) is a driving up-tempo trance production. The mix is almost entirely instrumental. Better known than 77% of Talla 2XLC's catalogue. In a set it works best as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Loops Of Infinity (Zyrus 7 Extended Remix) in?
Loops Of Infinity (Zyrus 7 Extended Remix) by Talla 2XLC is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Loops Of Infinity (Zyrus 7 Extended Remix)?
Loops Of Infinity (Zyrus 7 Extended Remix) runs at 140 BPM, a driving up-tempo track.
What mixes well with Loops Of Infinity (Zyrus 7 Extended Remix)?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Loops Of Infinity (Zyrus 7 Extended Remix) good for peak time?
With energy 97 out of 100 at 140 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
![Sunday [Mix Cut] - Paul van Dyk Remix by Paul van Dyk cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/5e389a0e278d62dcf488.webp){kind=small}
![Follow The Light (ASOT 1190) [Tune Of The Week] by Armin van Buuren cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/e2e0ece817c6ca65a5af.webp){kind=small}
How to mix it
In 3A at 140 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 97/100).
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More trance
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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