It's Time - Luke Slater's Rockers Shock Remix by Ferry Corsten cover art

It's Time - Luke Slater's Rockers Shock Remix

Ferry Corsten

30s preview

Key
2B · F♯ major
BPM
138
Open Key
7d
Energy
87/100
Pop
0/100
Length
6:56
Released
2005
Album
It's Time
Genre
Trance
Loudness
-6.6 dB
Dynamics
13.9 dB
ISRC
NLB770400033

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (11A at 131 BPM), this version runs 7 BPM faster and moves the key from 11A to 2B.

It's Time - Luke Slater's Rockers Shock Remix runs 138 BPM in F♯ major (2B), a driving up-tempo trance record. The feel is bright and euphoric. Rhythmically it is built for the dancefloor. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). A 2005 production that still circulates in sets. Brighter than 99% of Ferry Corsten's catalogue. In a set it works best as a peak-time weapon.

Reach:
more underground than 99% of Ferry Corsten's catalogue
Groove:
groovier than 97% of Ferry Corsten's catalogue
Tempo:
faster than 86% of Ferry Corsten's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy87
Mood96Bright
Groove76
Acoustic0
Instrumental44
Live3
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
34%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is It's Time - Luke Slater's Rockers Shock Remix in?

It's Time - Luke Slater's Rockers Shock Remix by Ferry Corsten is in F♯ major, or 2B on the Camelot wheel.

What BPM is It's Time - Luke Slater's Rockers Shock Remix?

It's Time - Luke Slater's Rockers Shock Remix runs at 138 BPM, a driving up-tempo track.

What mixes well with It's Time - Luke Slater's Rockers Shock Remix?

From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.

Is It's Time - Luke Slater's Rockers Shock Remix good for peak time?

With energy 87 out of 100 at 138 BPM, it works best as a peak-time weapon.

Mixes harmonically

2B1B · 3B · 2A

From 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.

#TrackKey·BPM

Every move from 2B

3BSimple Mix Upper
1BSimple Mix Downer
2ATonal Shift·
3ADiagonal Mix Upper
1ADiagonal Mix Downer
5ACompatible Tone·
4BHigh Energy Boost▲▲▲
12BHigh Energy Drain▼▼▼
5BParallel Key Upper▲▲
11BParallel Key Downer▼▼
9BTritone Jump▲▲
6BRelated Keyrisky

How to mix it

In 2B at 138 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.

Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 87/100).

Similar tempo

Within ±3 BPM of 138 — beatmatch without a big tempo pull.

More trance

More from Ferry Corsten

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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